Showing posts with label Books. Show all posts
Showing posts with label Books. Show all posts

Thursday, August 19, 2010

La Loteria: Hand, World and Heart (and the Devil)

I received this card on the mail the other day. The Devil! No, it was not some weird form of hate mail asking me to repent and mend the error of my ways. I was an invitation to participate in the Center for Book and Paper Arts' exhibit -Mano/Mundo/Corazon: Artists Interpret La Loteria

La Loteria is a game similar to Bingo. The most popular version of this game was probably drawn in the 1920's, but the game has been around since the 1800's. Each card features iconic and archetypal images. Some of the cards have symbolic meaning dating back to Pre-Hispanic times, while other cards could also correspond to the Tarot's major arcana:

El Sol /The Sun/Tonathiu.

La Luna/The Moon/Coyolxahuqui.

La Estrella/The Star/Citlali.

La Muerte/Death/Miclantecuthli,




I was actually thrilled to have received El Diablito. The image was up my alley - devils seem to make their way into my art often. The obvious symbolic meanings for the devil are evil, fear and basically everything that is bad. But my personal mythology interprets Diablitos (little Devils) as naughty, playful, mischievous characters related to the basic element of fire. They represent passion, a spark of creativity and our desire to "let loose", to do things often frown upon. If we are extremely fearful, overly prudish, judgemental, and repress our genuine feelings unfairly, something minor could come back in more sinister ways. This is my version of the card:




Mano/Mundo/Corazon: Artist Interpret La Loteria opens on September 9, and it runs to December 10 in Chicago's Center for Book and Paper Arts The opening reception is on September 9, from 5:30 to 8:30 pm. To learn more about the Center for Books and Paper Arts visit Columbia College in Chicago

Wednesday, June 30, 2010

When Things Get Hairy

Hair is very much a part of people's cultural identity. From "bears", those lovable portly hairy gay men, to not so lovable hipsters with waxed moustaches - hair makes a statement. It is no surprise that the book Hair'Em Scare'Em showcases hair as an inspiration for graphic design, photography and fashion.

Hair'Em Scare'Em mixes outlandish images like the one above, that reminded me of Uncle Fester from the Addams Family. (Correction - It is Cousin IT, from the Addams Family!). I was also fascinated by the image of the young man below mostly because he was not styled to look that way - it seems to me like the boy was naturally hairy. The book mentioned no information whatsoever about the model so I had to do some research.


Untitled, by Carlos Aires. From the series "happily ever after"

The photograph is by Carlos Aires, from Spain, part of his series titled "happily ever after". Aires' photographs are populated by midgets in bull fighter suits, sleepy chubby nuns and old vaudevillians. The young man is mentioned to be "South American" in the photographer's website, but again, not much information is given. Aires' images are fascinating and superbly executed but they made me think about the fine line between morbidity and exploitation. At times I got the same mixed feelings while paging trough Hair'Em Scare'Em. Hair has a way of bringing guttural emotions that mix repulsion, beauty and even sexual desire. In that way, the book succeeds superbly.

Julia Pastrana

Hair has also been an inspiration to me. I created the painting pictured below several years ago. It was shown at City Art gallery in San Francisco for the show "Monsters" in 2004. The premise was that we create monsters out of what we don't understand. The painting was inspired by a Mexican woman, winner of the infamous title "ugliest woman in the world". Julia Pastrana (pictured above) was an actress, singer and dancer born in 1834. She had a condition called hipertrichosis, also called "werewolf" syndrome. Her entire body was covered with thick hair. I was moved by Julia's story when I first read a book about her life. She died shortly after giving birth to a little boy that was just as hairy as she was. In my painting I took creative license and decided to give Julia a family. The painting depicts what her children may had looked like.



But back to the original image by Aires. Doing some research I discovered that we still have performers that are affected by hirsutism. In the Mexican village of Loreto, in Baja California a group of circus performers were dubbed as "Los Ninos Lobo" (The wolf children). Here is the story in Spanish, via El Mundo, a publication in Spain. The article by Virgine Luc talks about a hairy boy named Danny.

Danny, photo by Gérard Rancinan

Danny and his three siblings were raised by their grandmother after their mother left for Texas. Danny's brother Larry was just as hairy as he was. Due to a lucky coincidence a small circus showed up in Danny's village on an unscheduled visit. Grandma made Danny and his brother audition for the circus. The circus owner ended up adopting the boys legally, they were five and eight years old. Danny never went to school, but the said that the son of the circus owner taught him to be an acrobat. However, the most important lesson his adopted brother taught him was "Nada ni nadie puede impedirte ser lo que tú quieras ser - nothing, or anything can stop you from being who you want to be". I never figured out if the boy in the book was related to the "wolf boys" from Loreto. I don't think it is possible that the boy photographed by Aires was Larry. Larry is older than Danny. He moved to Canada where he got married and has a daughter.

I wish Hair'Em Scare'Em had shown a few designers from Africa or Latin America. We have such an interesting history with hair. The contributors of the book are mostly from Europe and the United States, with a few Japanese contributors. Only a few images alluding to Latino or African American hair are depicted. One of them is meant as a funny image of a black horse wearing corn rows, by Australian designer Julian Wolkenstain.




Even if Europeans are discovering the joys of being hairy and scary, immature comments alluding to animalism and race still abound. Not too long ago singer Tiziano Ferro commented that it was impossible to find beautiful women in Mexico because "they all had moustaches" during an interview on national Italian television. Ferro was at the time popular in Mexico. In 2001 the Spanish version of his song Rosso Relativo entered the Mexican TOP 20 album sales chart. Ugly or not, Mexican women loved his music. After claims of tears and deep depression due to the backlash of his statements, Ferro's record company issued a video apology. Ferro came across as someone that would bite the hairy hand that fed him.


Oh, hair! The most famous Mexicana con bigote is of course, painter Frida Kahlo. By deciding to keep her moustache and unibrow she challenged gender and social norms, while becoming one of the most recognized artists in the world.


Go check out this book! Hair'Em Scare'Em is published by the creative agency Gestalten. The ghost of European beauty standards don't stop the book from being enjoyable and having whimsical, funny, and inspiring imagery.


Links:
For more information about Julia Pastrana visit The Human Marvels. Thaks to J. Thithonus Pednaud for creating Human Marvels, a site dedicated to vindicating those people who were once labeled as freaks.

Pay a visit to City Art Gallery if you are in San Francisco.

Tuesday, June 9, 2009

Hacienda Colors: Accurate splendor, or marketing ploy?

The folks at Hacienda Style have created a collection of paints for those that want to bring the feel of an hacienda to their own home! I like how they posted interior photos that illustrate the color swatch in a real room.

The names of the paints are aptly named in Spanish, from fun names like "Cantaloupe Sorbet" to others that invoke history like "Maya Gold". I could almost swear that my bedroom is painted in "Cantaloupe Sorbet". I also like how the colors are subtle, not the usual garish colors associated with Mexican design north of the border.







There are different schools of thought when it comes to haciendas in Mexico. Some folks see haciendas as bitter reminders of colonial times synonymous with exploitation of indigenous workers, while others see them as historic symbols of romantic times gone by.

The style and aesthetics of haciendas have received some new attention lately. Many of these properties have been restored by foreign nationals living in Mexico, and are now being used as tourist attractions and hotels. The folks at Hacienda Style literally wrote the book(s) on the subject.

In the same vein of different schools of thought: Is it this a wonderful effort to preserve and bring attention to a historic way of life, or an attempt to pre-package and market a period in time by non-Mexican folks...to a non-Mexican audience? What do you think?

If you are interested in the Hacienda Color collection visit Pittsburg Paint's "The Voice of Color"

Sunday, May 31, 2009

Through the desert, in a house with no name...



Known for her photography featured in VOGUE magazine, Deborah Turbeville's book Casa No Name features images of her home in San Miguel De Allende.



Much like an impressionistic painting, Turbeville's lens captures a sense of light and emotion. Her photos are soft and diffused, at times fuzzy and blurry. The book conveys a sense of history and nostalgia, evoking dusty curtains, candle light, old saints and water damage. Very far away are the happy bright colors of a Mexican sarape.

This book called to mind my own fuzzy memories of my relatives' homes in Chiapas, and very much like "Casa No Name", the combination of my own unconscious memories and ghost stories evoked images of a Mexico that never existed.

I found this book to be a nice departure from other publications that stick with the stereotypical "Casa Turismo" approach to Mexican interiors and style. Go here if you want to learn more about "Casa No Name".