Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts
Wednesday, August 31, 2011
Once Upon a Time, There Was a Fair....
I created this image for a contest sponsored by The Folsom Street Fair. The fair celebrates San Francisco vibrant kink, leather, fetish and alternative communities. I felt like the contest was up my alley! Sadly, upon visiting the Fair's website, I discovered that the contest had been canceled due to lack of interest. HEY, I was interested!! Anyway, I wanted to share the poster with you. Here is a detail:
The poster plays with many recurring themes in my work: The circus, cartoons, and fetish imagery. The bright, primary colors of the circus inspired the poster. I was also inspired by movies I saw as a kid, among them the terrifying sequence of Pink Elephants on Parade, from Dinsney's Dumbo. Here are more sources of inspiration:
The movie Santa Sangre, by Alejandro Jodorowsky is quite distubring, yet it is one of my favorites. The image below comes via Movie Outlaw, where you can read more about this wonderfully strange circus movie. I think Jodorowsky captured the bizarre world of Mexican circuses quite well. My favorite sequence is when the circus folks stage a funeral for a death elephant. The character of Concha (played masterfully by Blanca Guerra) is scary and unforgettable, sort of like Norman's Bates mother from Psycho....Mexican style. Guerra's eyes are like guns! She points, and shoots quite often during the movie.
Another circus movie that I used to watch was an Argentinian/Spanish movie called "Habia una Vez un Circo", (Once Upon a Time, There Was a Circus) about a sick little girl and her clown friends. The movie was fun, but scary at times. I remember a scary sequence when the little protagonist (the adorable Andrea Boca) runs into a window late at night, while having hallucinations about the circus. In this sequence, her clown friends come to her bedroom to cheer her up.
Thanks for reading this brief account of bizarre circus movies. If you are interested in attending The Folsom Street Fair, just visit their website for a schedule of events. Be warned, it is for adults only. The Fair is held in San Francisco in September the 25th, 2001. If you are interested in buying my poster, just let me know.
Tuesday, February 8, 2011
Animal Free Mexican Chocolate Drinks, Hot and Cold
Dear bloggeritos, I was unable to post for the month of January due to a busy schedule and a spotty internet connection. I'm still around and ready to share some information and ideas for chocolate drinks! It is amazing to think that almost a third of the US is blanketed in snow right now...Here in San Francisco we've been having almost Summer like weather! What could be better than a cool licuado for hot day? Or a cup of hot cocoa, for chilly weather? Read on!
Cool Chocolate Licuados.
I used to drink a heavenly chocolate licuado sold at the Tapachula market when I was a kid. It was advertised as "Choco 1000" (choco mil). It was a play on words on the popular powdered drink called Choco Milk. This drink was cleverly marketed by the super healthy and butch little Mexican boy known as Pancho Pantera. Here's Pancho, courtesy of -U! (Uriel Duran).


Amazingly enough, ancient Mexicans blended cocoa water and spices for a chocolate drink that was naturally animal free. The word Chocolate is actually a derivative of the ancient Nahuatl for Xoco Atl, meaning bitter water, a drink that was sacred. The Spaniards turned the word "Xocolatl" into "Chocolate", the term encompassing both cocoa solids and the original frothy drink. Of course, the Aztecs didn't have electric blenders but here's some ideas for making chocolate drinks in the ancient Mexican tradition. I use unsweetened powdered cocoa by Ghirardelli.
- Almendrado. Use two cups of almond milk, a handful of peeled slivered toasted almonds and two heaping tablespoons of powdered cocoa. Add ice cubes, sweetener of your choice and blend.
- Azteca. Two cups of almond milk, a handful of peeled slivered toasted almonds, two tablespoons of chia seeds, and two heaping tablespoons of powdered cocoa. Add ice cubes, sweetener of your choice and blend.
- Chango Marango. Two cups of coconut milk, a very ripe banana, berries of your choice, two heaping tablespoons of powdered cocoa. Add ice cubes, sweetener of your choice and blend.
- Abuelita's. Two cups of almond milk, a handful of peeled slivered toasted almonds, two heaping tablespoons of powdered cocoa, powdered cinnamon, and a tablespoon of Mexican Vanilla (I use Xanath's). Add ice cubes, sweetener of your choice and blend.
- Manicero. Use two cups of rice milk, a ripe pear, two heaping tablespoons of peanut butter, and two heaping tablespoons of powdered cocoa. Add ice cubes, sweetener of your choice and blend.
- Choco Chispas. Use two cups of almond milk, a scoop of soy based frozen dessert (I use the one made by So Delicous), two heaping tablespoons of powdered cocoa and fresh chopped mint. Add ice cubes, sweetener of your choice and blend. The mint will create refreshing little "chips".

History of Hot Mexican Chocolate
The image above comes from Peaton, it shows a chocolate pyramid created for a competition in Germany. Emperor Moctezuma would finish his meal with a frothy gourd full of "Xocolatl" and a nice smoke perfumed with liquidamber resin. The drink was traditionally served cold. During colonial times the original bitter drink of the Aztecs became fermented, sweetened and seasoned with vanilla, sugar, almonds and cinnamon - what it is now known as "Mexican Chocolate" immediately caught on in Europe and became very popular. Certain convents in colonial Mexico experimented with chocolate, creating famous recipes like Mole Poblano, yet the church forbid nuns from drinking chocolate because it was considered too voluptuous for them. Here's a recipe for animal free Champurrado, a hot chocolate drink that can be enjoyed by everyone!
Champurrado
4 cups of Almond Milk
4 tablespoons of cocoa powder
2 small lumps of piloncillo (Mexican Raw Sugar)
2 sticks of Canela (Mexican Cinnamon)
1 cup of corn masa (corn dough used to make tortillas)
Heat the milk, add the cinnamon and the sugar until the lumps dissolve completely. Remove the cinnamon sticks. Add the masa and the cocoa and stir often. Use a blender to combine everything and to make sure your champurrado is nice and frothy. Process in small batches, at the slowest setting. Place a thick cloth napkin on top of the blender so you don't burn yourself. Serve in individual cups and enjoy.

Finally, if you want your hot chocolate to be hot in more ways than one try adding some dry chiles to it. The picture above is from a spicy Venezuelan hot chocolate taken at Christopher Elbow, in San Francisco. They use a nice blend of chiles, spices and Venezuelan chocolate for this delicious drink. I've used all kinds of chiles in hot chocolate, but I think the best tasting are the raising like pasilla, robust ancho, or smoky chipotle. If you use chipotle use the dry variety - the canned chiles have added spices and salt that won't add much to the chocolate. Here's some notes on spicy Mexican hot chocolate that I served during a recent chocolatada party:
"No chocolatada can be complete without some hot chocolate. I used tablets of Chocolate Ibarra and Chocolate Abuelita and mixed them with hot low fat milk or soy milk. A little bit of the pasilla and negro chiles was added to the blender in order to make a delicious spicy and sweet drink. A little bit of Mexican vanilla also gives the chocolate a wonderful scent. Please make sure you get authentic Mexican vanilla, it really makes a big difference. One of my guests said it was the best hot chocolate she had ever tasted! You can get Ibarra and Abuelita hot chocolate tablets at MexGrocer, I get my vanilla from Xanath in San Francisco."
One last note: Most processed chocolate has milk added to it. If you want your drinks to be animal free, use powdered cocoa, and make sure to read labels carefully for commercially bought blends. Generally, the darker the chocolate, the less likely it is to contain milk. Enjoy your chocolate, and stay cool...Or warm!!
Labels:
culture,
Etymology,
food,
History,
Mexican Heritage,
Party ideas,
vegan
Thursday, December 9, 2010
Frida Munny. On auction for a Good Cause!


The Cartoon Art Museum is located at 655 Mission Street between New Montgomery and Third Streets, is around the corner from the San Francisco Museum of Modern Art and a dozen other museums which comprise the Yerba Buena Gardens cultural district of San Francisco’s South of Market area.
Labels:
Crafts,
culture,
Events,
From my Studio,
Handmade,
Miniatures
Friday, November 26, 2010
New Holiday Mural - Sweaters and Raindeer
Galeria de la Raza in San Francisco has a one of its kind program that allows artists to create large scale digital murals. Check out the digital mural archive here! This season I'm honored to create a holiday mural for Galeria.

Here's a sketch I came up with. The deer is a traditional animal for the season. For the Yaqui people, it is actually a sacred animal. Reindeer will be the central element for my mural. The sweater the deer is wearing is inspired by the popular textiles created in Chiconcuac, in central Mexico.

According to MexChic on Etsy: "Marilyn Monroe in the 60’s and Starsky & Hutch in the 70’s made these sweaters famous in the United States, but they’ve always been a staple in Mexico."
More to follow. In the mean time, keep warm!

Here's a sketch I came up with. The deer is a traditional animal for the season. For the Yaqui people, it is actually a sacred animal. Reindeer will be the central element for my mural. The sweater the deer is wearing is inspired by the popular textiles created in Chiconcuac, in central Mexico.

According to MexChic on Etsy: "Marilyn Monroe in the 60’s and Starsky & Hutch in the 70’s made these sweaters famous in the United States, but they’ve always been a staple in Mexico."
More to follow. In the mean time, keep warm!
Labels:
Art,
culture,
From my Studio,
Holidays,
Mexican Heritage,
Miniatures,
Textiles
Saturday, October 30, 2010
Vivo: Day of the Dead Community Celebration!
This year's exhibit make reference to Prehispanic traditions that are the origins of the Day of the Dead holiday. This wonderful pyramid (El Templo Teotl) represents the four cardinal points, as well as the four elements and ancestral forces. It was created by Jesse Hernandez.
The show and mural will be on view until December 5, 2010. To learn more about the show visit OMCA's website. To view more photos of the celebration and to read a brief article about the show visit In Oakland blog. By the way, you can take BART to the Oakland Museum, but watch out...You'll never know what dangers lurk near by.
That is actually my wonderfully free spirited friend Fennel. She is harmless. I wish you a happy and safe Halloween and a thoughtful Day of the Dead.
Labels:
Altars and vignettes,
Art,
culture,
Events,
Mexican Heritage
Thursday, August 19, 2010
La Loteria: Hand, World and Heart (and the Devil)
La Loteria is a game similar to Bingo. The most popular version of this game was probably drawn in the 1920's, but the game has been around since the 1800's. Each card features iconic and archetypal images. Some of the cards have symbolic meaning dating back to Pre-Hispanic times, while other cards could also correspond to the Tarot's major arcana:
El Sol /The Sun/Tonathiu.
La Luna/The Moon/Coyolxahuqui.
La Estrella/The Star/Citlali.
La Muerte/Death/Miclantecuthli,
I was actually thrilled to have received El Diablito. The image was up my alley - devils seem to make their way into my art often. The obvious symbolic meanings for the devil are evil, fear and basically everything that is bad. But my personal mythology interprets Diablitos (little Devils) as naughty, playful, mischievous characters related to the basic element of fire. They represent passion, a spark of creativity and our desire to "let loose", to do things often frown upon. If we are extremely fearful, overly prudish, judgemental, and repress our genuine feelings unfairly, something minor could come back in more sinister ways. This is my version of the card:

Mano/Mundo/Corazon: Artist Interpret La Loteria opens on September 9, and it runs to December 10 in Chicago's Center for Book and Paper Arts The opening reception is on September 9, from 5:30 to 8:30 pm. To learn more about the Center for Books and Paper Arts visit Columbia College in Chicago
Wednesday, June 30, 2010
When Things Get Hairy


The photograph is by Carlos Aires, from Spain, part of his series titled "happily ever after". Aires' photographs are populated by midgets in bull fighter suits, sleepy chubby nuns and old vaudevillians. The young man is mentioned to be "South American" in the photographer's website, but again, not much information is given. Aires' images are fascinating and superbly executed but they made me think about the fine line between morbidity and exploitation. At times I got the same mixed feelings while paging trough Hair'Em Scare'Em. Hair has a way of bringing guttural emotions that mix repulsion, beauty and even sexual desire. In that way, the book succeeds superbly.
Hair has also been an inspiration to me. I created the painting pictured below several years ago. It was shown at City Art gallery in San Francisco for the show "Monsters" in 2004. The premise was that we create monsters out of what we don't understand. The painting was inspired by a Mexican woman, winner of the infamous title "ugliest woman in the world". Julia Pastrana (pictured above) was an actress, singer and dancer born in 1834. She had a condition called hipertrichosis, also called "werewolf" syndrome. Her entire body was covered with thick hair. I was moved by Julia's story when I first read a book about her life. She died shortly after giving birth to a little boy that was just as hairy as she was. In my painting I took creative license and decided to give Julia a family. The painting depicts what her children may had looked like.
But back to the original image by Aires. Doing some research I discovered that we still have performers that are affected by hirsutism. In the Mexican village of Loreto, in Baja California a group of circus performers were dubbed as "Los Ninos Lobo" (The wolf children). Here is the story in Spanish, via El Mundo, a publication in Spain. The article by Virgine Luc talks about a hairy boy named Danny.
I wish Hair'Em Scare'Em had shown a few designers from Africa or Latin America. We have such an interesting history with hair. The contributors of the book are mostly from Europe and the United States, with a few Japanese contributors. Only a few images alluding to Latino or African American hair are depicted. One of them is meant as a funny image of a black horse wearing corn rows, by Australian designer Julian Wolkenstain.

Even if Europeans are discovering the joys of being hairy and scary, immature comments alluding to animalism and race still abound. Not too long ago singer Tiziano Ferro commented that it was impossible to find beautiful women in Mexico because "they all had moustaches" during an interview on national Italian television. Ferro was at the time popular in Mexico. In 2001 the Spanish version of his song Rosso Relativo entered the Mexican TOP 20 album sales chart. Ugly or not, Mexican women loved his music. After claims of tears and deep depression due to the backlash of his statements, Ferro's record company issued a video apology. Ferro came across as someone that would bite the hairy hand that fed him.

Oh, hair! The most famous Mexicana con bigote is of course, painter Frida Kahlo. By deciding to keep her moustache and unibrow she challenged gender and social norms, while becoming one of the most recognized artists in the world.
Go check out this book! Hair'Em Scare'Em is published by the creative agency Gestalten. The ghost of European beauty standards don't stop the book from being enjoyable and having whimsical, funny, and inspiring imagery.
Links:
For more information about Julia Pastrana visit The Human Marvels. Thaks to J. Thithonus Pednaud for creating Human Marvels, a site dedicated to vindicating those people who were once labeled as freaks.
Pay a visit to City Art Gallery if you are in San Francisco.
Labels:
Art,
Books,
culture,
From my Studio,
History,
Photography
Saturday, May 29, 2010
Alegria - Past and Future of The Eternal Amaranth

Recently at a dinner party I got served a beautiful salad containing Quinoa. "It is an ancient grain", one of the guest explained. Later, that weekend I saw a bag labeled "kichiwa", while grocery shopping. I immediately recognized it as Amaranth, a grain that is slightly smaller than Quinoa. Quinoa and amaranth are two plants commonly used in Mexican and South American cooking but they are gaining popularity in the US lately. Amaranth is also grown as an beautiful, fluffy ornamental flower (pictured above). Just like quinoa, amaranth is considered a "pseudo cereal" - since real cereals are grasses. Other pseudo cereals are buckwheat and chia seeds.

I didn't tell the other dinner guest but I was very familiar with these ancient foods. Back in Mexico, I used to eat the traditional candy called "Alegria" - it was sold on road stands and markets all over Mexico. Alegrias are similar to rice krispy treats, small bars of popped amaranth glued together with molasses or honey. To the ancient Mexicas this amazing little seed was called "Huautli", to the Mayas it was "Txes" and to the Incas and present time Peruvians - "Kiwicha". The word in Spanish - Alegria, literally means "joy", and it is very appropriate since amaranth is said to be a natural anti depressant.
There were many rituals associated with Amaranth just like the ones for chia seeds in ancient Mexico. But unlike the rituals associated with chia (fertility), the mysterious associations of Amaranth could have been the continuity of life, nourishment, or even immortality. In the time of the Aztecs, enormous statues were paraded among crowds during religious celebrations. These statues were made out of amaranth seed mixed with honey and some times blood. At the end of the celebration these enormous statues were cut in pieces and distributed among participants for a type of symbolic cannibalism and communion with the gods.

Mexican artist Javier MarĂn creates dynamic, large scale figurative images. One of his projects involves casting large statues out of resin that have amaranth seeds inside them, drawing inspiration from ancient rituals. The images above are the heads of three women, via Iturralde gallery and ArtScene. Judith Christensen writes: "In the materials, as well, Marin fuses old and the new. Western European and indigenous Mexican - is basic to Marin's work. Like Marin's resin, the amaranth produced figures that looked heavy, but were comparatively light weight".
In the same manner, combining the old and the new in the kitchen allows us to find interesting, unexpected discoveries. Rodolfo Neri Vela, the first Mexican astronaut back in the 80's was also the first to patent amaranth as the perfect astronaut food. Originally amaranth was selected because of its versatility and its ability to survive diverse conditions, but it also turned out to be one of the few seeds that germinated in outer space.
Amaranth is highly usable. The seeds and the greens are both edible. It is a highly resilient plant, it belongs to a species generally considered a weed. It could help maintains brain functions and the nervous system by regulating serotonin and providing protein. Amaranth is also highly nutritious, it is a good source of vitamins A, K, BC, and C. It is also full of calcium, iron, magnesium, phosphorus, potassium, zinc, copper and manganese. It could be well said that Amaranth may be the food of the future! I leave you with these words by John Milton, from his famed poem "Paradise Lost":
- "Immortal amarant, a flower which once
- In paradise, fast by the tree of life,
- Began to bloom; but soon for man's offence
- To heaven removed, where first it grew, there grows,
- And flowers aloft, shading the fount of life,
- And where the river of bliss through midst of heaven
- Rolls o'er elysian flowers her amber stream:
- With these that never fade the spirits elect
- Bind their resplendent locks."
LINKS
Learn how to make Abstract Amaranth Candy on my next post!
Learn more about Javier MarĂn at the artist's interactive website. The website is bilingual, and a very interesting site to navigate. His studio itself is amazing, it was featured on HGTV's "The art of Mexican Design".
Mr. MarĂn was also the winner of a contest to re-create the altar at the Cathedral of Zacatecas, a UNESCO world heritage site. The project will be unveiled in June the 26, 2010. Learn more about the event at the artist's facebook page.

Read Rodolfo Neri Vela's article about Amaranth in Space (in Spanish) via Buenas Noticias. The photos of the amaranth bars are from that site, taken by Meliton Tapia of INAH
Labels:
culture,
food,
History,
Mexican Heritage,
Sculpture
Friday, May 7, 2010
Gracias Madre - Every day is Mother's Day!
Some acquaintances are surprised that my blog covers vegetarian and vegan Mexican food. Skeptics often ask me: What about the cheese? The Carnitas? Is that unusual, is that authentic? Let's think back for a second: If you are old enough, think back to the 1980’s. "New foods" were taking the US by storm - sushi was the all the rage, and you could find kiwi even in the soup. Today we have restaurants that feature Sushi and many different interpretations of Japanese food as well as "Asian Fusion". Mentioning “Chop Suey” to any food connoisseur may incite laughter and eye rolling. And kiwi is just a fruit that not many people get excited about.
The Mexican food we eat in the US has heavy influences of Northern Mexico, where cattle and the desert facilitate dishes heavy on meat and dairy. The "Chop Sueys" of Mexican cuisine dominate fast food restaurants. Corporate created"Tortadas" an "enchiritos" are as authentic as the food prepared at the Olive Garden's test kitchen. Adding to the confusion are the misconceptions that arise when trying to differentiate between Mexican regional cuisines, Tex-Mex, Cali-Mex and South West cuisines. To the unfamiliar, I could see how difficult it could be to recognize what "authentic" Mexican food is, let alone considering vegan and vegetarian options have always been in the mix.
Last Summer I sat down with Eva Ackerman and Chandra Gilbert to talk about Gracias Madre, the new Mexican vegan restaurant on Mission Street. "Gracias" is a venture from the same folks that operate Cafe Gratitude, a local raw food restaurant. I wanted to hear about their take on "Nuevo Latino", Mexican flavors, the cult for La Virgen de Guadalupe, non-Mexicans as experts in Mexican food (like Rick Bayless , the Two Hot Tamales) vegan organic cuisines and gentrification. My first question was an obvious one. So, why Mexican food? What is the difference between Gracias and Cafe Gratitude?
"About Rick Bayless and The Two Hot Tamales....We have to start somewhere" Chandra said. "For us, it just came down to the food we were eating. Most of the time we would en up eating Mexican. Instead of lining Monsanto's pockets, we cooked our own food [using] some greens and a couple of Primaveras* (organic tortillas)"."Gracias Madre It is probably more approachable for some. It is not a taqueria. It is a sit down, full service restaurant".

The Feminine Mystique
Gracias Madre is located in the middle of The Mission neighborhood, in San Francisco. The restaurant is beautiful and cozy. The little front porch has nice terra cotta walls, an artful metal fence, and a colorful mural. Inside the walls are cooler and people can sit family style in wooden Michoacan style tables and chairs. The tables are set with candles, simple unbleached napkins, recycled glass bottles, and simple pottery dishes and cups - they remind me of cazuelas and clay ollas that have been used in Mexican kitchens for centuries.
"I can say Gracias Madre is our offering to The Mother, the earth. For myself personally, I feel inspired by all the powerful Latina women I’ve gotten to know in my life, that I continue to known, and learn from and work with. I am excited to take leadership from them. Something I’m personally passionate about is the empowerment of women. In general” Said Eva.
"Gracias" also has beautiful Virgen inspired art, from the logo designed by local artist John Marro to what seems to be antique statuary behind the counter. I asked Eva and Chandra about the imagery and the wording for the name of the restaurant, and if they had any reservations about using an image that is highly revered, specially in a Latino neighborhood.
"It communicates what we feel - is not hiding our gratitude to The Virgin, our gratitude to the earth. To me, it is the same mother, the same planet. It is also a way to celebrate connectivity and oneness. We are on the same earth planet, the same earth together, we get to eat the same food" Said Eva. "To me that wording and that name help us break down the barriers that separates us based on race, class and culture. That is really what the point is".
The Menu - Organic and Seasonal Food
The menu at "Gracias" is simple, just like the tables. It is one single sheet divided by "antojitos" (literally, "little whims", or appetizers), sides, main dishes and a wonderful wine variety. Eva and Chandra told me more about the food.
"We are not using all kinds of fancy ingredients. We are really honoring the tomato by using the best, freshest tomatoes. Avocados, how do you really bring out the amazing taste of a perfectly balanced guacamole? Or the delicious corn, just having a tortilla and it is satisfying in every way"
When I cook vegetarian or vegan food at home, I generally prepare dishes that are naturally animal free, without using dairy. Just recently I used "vegan sour cream" for one of my recipes. I must say that the food at Gracias Madre has opened a new experience of cashew "dairy" for me. They really do a good job with their soups. I have tried the cauliflower soup and the Chile Poblano soup and they are so incredibly rich and creamy.
"We pay reverence to the simple ingredients that we are using. What is the earth providing? Purslane! So, we are having purslane tacos! Or maybe the cilantro is at its prime right now. It is almost like having relationships with the ingredients that are so uniquely flavorful and perfect. When combined together it is really magic".
One tamal, two tamales, three tamales...
Eva has a degree in Spanish, and she is a fluent speaker. I asked her to describe Gracias Madre's sazon. I realize it is not a fair question, since the sazon needs to be experienced, but I was curious to hear her answer. The Spanish word Sazon is hard to describe. It is one's signature, a special way of expressing yourself trough the taste of your food. It is as personal as the way you saute your onions, heating your water and your favorite seasonings. Eva's answer? "(Gracias Madre's sazon) is fresh. Simple, earthy, vibrant".
After trying the food several times, I agree with Eva. Gracias Madre has a lovely, home made sazon. The food has beautiful hints of chile, onion and garlic that don't overwhelm the dishes. The food tastes homey, what my mother would call "saborcito como el de allá", or what loosely translates as "back home" taste. Appropriately what Italians call "Al Gusto De Mama"- Mom's taste. I also like that the folks at Gracias Madre understood the little cultural nuances that persnickety writers like me appreciate. They serve black beans, more common in central and southern Mexico. The menu lists one Tamal a la cart without the E, not the common misspelling "Tamale". It is a little pet-peeve of mine, no self respecting Mexican would ever say "tamale". Eva also communicated that one of their senior employees, Imelda Martinez, is responsible for making the tamales, 5 days a week. "She is loving it, feeling excited and blissed out!"
She will provide
The tortillas at Gracias Madre are not at all like the stuff that comes out of a bag. The tostadas really remind me of "totopos" from Southern Mexico, they have the same consistency. "Gracias" uses all organic corn for their tostadas, tacos and tamales. Growing organic corn is a big deal, since corn is one of the most genetically modified foods. What once was sacred to early Americans is now probably killing us. See my post about genetically modified killer corn. Chandra, who is a trained chef in the European tradition understands the importance of using organic heirloom corn and seasonal produce:
"Getting the masa perfected was the number one thing for me, so our tortillas and out tamales were perfect. Besides that the earth is going to tell us what the menu is. As someone that has been on the restaurant business for more than 26 years, that was very liberating for me. One year the butter squash freezes, we won’t use it". She also shared her experiences working cooks like Imelda Martinez, the tamales expert. "It is an education opportunity to get out of the way of the women that know how to do it. It is in their DNA, who they are"
I am so glad that Eva and Chandra acknowledge their employees. "We have amazing women in our community. Like Lourdes, working the main meal at noon, blossom quesadillas. They’ve been doing it with their grandmothers. It is going to provide the flavor" Similar restaurants like Nopalito, a spin off the restaurant NOPA came about after the owners discovered the traditional simple Mexican fare their employees were eating.
I shared with Evan and Chandra that I also learned from amazing Latina women in my life: My maternal grandmother, domestic workers, and my friend Juanita. My mother was a lawyer so she didn't cook much - but she taught me about eating nutritious meals and the enjoyment of good food. Moving to the US as a teenager I became aware of how my Mexican-ness became political. Having to work as a dish washer and in fast food restaurants I became aware of how Latino immigrants were the mistreated, unsung life force of the food and service industries. Women in particular got the raw end of the stick. I am glad that one restaurant, directly or indirectly thanks our mother(s), the one(s) that bring food to our tables every single day.
Muy caliente - The Internet was on fire!
Once at a workshop for young Latino artists, Amalia Mesa-Bains spoke of the unfairness of expertise, race and identity politics. "If you are a person of color and an expert in your own culture, you are going to be called self serving. If you are a white person and an expert in the culture of someone else, you are going to be called revolutionary".
I get a feeling that the folks at Gracias Madre understood the delicate politics they were dealing with, this is San Francisco after all. Since last Summer the internet was on fire and buzz around the restaurants was polarizing. There was some talk of cultural appropriation, gentrification, over pricing food and targeting specific elite groups, not necessarily locals.
There is also the issue that to certain groups Vegan Mexican food is always going to be the food of "The other". By "othering" the food is easy to call vegan Mexican a gringo invention, food that has been whitewashed; food for hipsters and the elite; food that is overpriced. Yet, I find that vegan Mexican is probably the food closest to our ancestral American memory, before cows and pigs were introduce to the continent. There is nothing "Nuevo" about it. "It is almost like Viejo Latino", Eva said. Organic doesn't mean elite, a fad, a "new" idea that comes along. The food is revolutionary by its own merits.
So, is the pricing fair? I feel the folks at Gracias really want to share their food. At Cafe Gratitude they had a policy: A small bowl of food with the special of the day was available to everyone. The payment was on a sliding scale, on the honor system. Everyone pays what they can. "The most someone has paid for one is $100" Chandra said. Even if they don't instate a "Gratitude Bowl" at Gracias Madre, one could make a meal choosing several sides - nothing is over $6. The escabeche is $3. A tamal a la carte is $5. Rice and beans are $2 each, an order of tortillas is $2. They also have lunch specials at $10 dollars. The folks at Gratitude and Gracias have also donated to MCCLA's Dia de los Muertos celebration, and to Galeria de la Raza's holiday Pachanga, that I was honored to be a part of last year!
The other day I had to work late. I walked by Gracias Madre and the place was packed. There was music playing, lit candles, people having a good time. Strangely enough it reminded me of one of my fondest memories:
I'm in the middle of the country, close to a corn field in Chiapas. I'm six or seven, enjoying a simple meal (with no pesticides, genetically modified organisms nowhere to be found). That night was nothing special, just friends and relatives enjoying each other's company, listening to a soulful guitar in front of the fire and eating fresh roasted corn under the moonlight.
I'm hoping to bring my mother to "Gracias Madre" soon, to spend some time together. Every person I've invited to the restaurant has liked it, even non-vegans. A friend from Los Angeles said it best when we dined here recently. "It is like visiting someone's home".
LINKS
Gracias Madre
"Our Mission is Love - Organic Mexican Cuisine"
Organic Biodynamic method, grown at their farm in Pleasant Valley, Be Love Farm. Masa and tortillas are non-GMO Organic heirmloom corn.
2211 Mission Street
415 683-1346
11 am to 11pm, 7 days a week. Website: www.Gracias-Madre.com
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Monday, February 1, 2010
McMuertos and The Attack of Killer Corn!

The other day I overheard a woman on the bus. She was telling her friend that the highlight of her kid's week was going out to eat hamburgers on Fridays. However, instead of hamburgers, the lady's husband took the kids out to eat tacos, so they were very upset. As someone that works in a predominately Latino neighborhood, a Mexican, and a food blogger, it made me think of the reasons for the disproportionate rates of obesity of Latinos in the US.
McMuertos turns 10 years old!
The image above is from an artistic collaboration I was a part of, several years ago. McMuertos was an installation for a Dia de los Muertos show at the Yerba Buena Center for the Arts, in 1998. It also appeared at the Oakland Museum in 1999, and the Mexican Museum in 2000. The installation was a parody dealing with cultural appropriation, predatory marketing and deceptive advertising. Much like his cousin "Joe Camel", the character of Ronnie Calaca (masterfully played by Robert Karimi, below) sold his brand using slick and unscrupulous messages that misinformed the public, especially kids.
On 2004, the movie "Super Size Me" dealt with some of those same issues, along with an experiment on portion control and health effects. Fast food portions had gotten out of control, in some cases five times bigger than portions in the 1950's, when restaurants began to mass produce hamburgers and fries. One of the biggest culprits of obesity in children could be HFCS 55 (High Fructose Corn Syrup), used to sweeten soft drinks. Since 1999, soft drink sizes got so big that they could no longer fit inside cup holders. HFCS is also found in cookies, bread, salad dressing, BBQ sauce, ketchup and many other condiments. But HFCS is not only found in fast food restaurants. McMuerto's message is still resonant today, as corporations try to sell us the "goodness" of HFCS and genetically modified food.
Changing, evolving corn
Corn could be one of the most modified crops in the world. Originally corn was developed by cultivating a grass called "teosintle", more than 7000 years ago in what is currently Mexico. Corn became the staple food for the Aztecs, Mayas and many other North American indigenous groups. Teosintle (or Teozintle) literally means "food of the gods". The Mayas considered corn so sacred that they even deformed the heads of their babies using tablets, so they would appear elongated like an ear of corn.
Corn production today
The world has less fertile land since the time of the Maya. There is also the need to feed more people, and that has served as a motivation to create "stronger" crops that have more productive plants. The development of GMOs (Genetically Modified Organism) by corporations like Monsanto are said to address those issues. But what is the cost? Today we are not only loosing a connection to nature, but we may also be at risk of loosing heirloom varieties of grain, maybe forever. GMO seed is copyrighted, so corporations can make money by selling it to farmers. "Terminator" seeds are sterile after planting, therefore ensuring farmer's dependency on suppliers. McMuerto's parodied corporate control, profit and greed. Those motivations need to be taken into consideration as well, when dealing with GMOs.
The image of a farmer in overalls, growing corn by hand, and tending to it with the help of a scarecrow is very much gone. The US is growing way too much corn at tax payer's expense, due to government subsidies. It is a "super crop" that is not only fed to cattle, but to other animals like farmed salmon. These animals have no natural way of processing GMO corn. In order to keep animals "healthy" (so they can grow larger faster) they are pumped full of antibiotics.
We still don't know the long term effects of eating and producing GMOs, eating them, and even the effects of eating animals that have been feed GMOs. So far the news are not good. According to the Huffington Post, Monsanto's corn has been linked to organ failure in animals HFCS has been also linked to high triglycerides and diabetes. Diabetes Health has an article about the dangers of HFCS. The Washington post has an article about how HFCS is also not so sweet for the planet either. It could be a deadly triple whammy.
Mutant corn, harmless?
On a curious note, Monsanto is also a sponsor of many attractions at Disneyland and Walt Disney World. It seems like corporations are going after the youngest consumers, and their parents. For example, The Sweet Surprise is a PR marketing wonderland that praises the benefits of high fructose corn syrup. The creepy parts is that, as opposed to McMuerto's, it is not a spoof. It is full of images of happy families on bikes, smiling children, and expert testimony. It even has downloadable and printable fliers about "kids and sweets", assuring parents that feeding HFCS to kids is not only OK, it could also be nutritious: "By making healthy foods taste even more delicious, high fructose corn syrup may help ensure that picky young eaters get the nutrition they need". It could may be translated as - get them hooked up, early on.
Here is another quote, from Kris Clark, Ph.D, R.D., F.A.C.S.M., an assistant professor and Director of Sports Nutrition at Penn University: "It's a reality that kids are going to have some sugar in their diets...." "Just be sure the majority of the added sugars they consume are from nutrient-rich food or beverage, and practice moderation with concentrated sweets like candy and desserts".
Yet, there is no mention of HFCS as being a chemical manufactured in a lab, not present in nature, and one of the worse concentrated sugars. It is not a secret that all sugars should be consumed with moderation, the problem is that GMO corn and the many products manufactured with it are abundant. HFCS is not "moderate" by any means, as used on baked goods, snacks, chips, cookies, dressings, juices, sodas and many other products.
Corn is ours
Going back to the lady on the bus. She was large, and I wondered about the chances of her kids being overweight as well. I didn't know her, yet in my mind I was looking for reasons for her obesity. Maybe she is a newly arrived immigrant, feeding her children burgers may be her way to become "American" and fit in. Maybe it is more convenient to feed her kids fast food, after a long work week. Maybe she really thinks she is giving the the kids a little "reward" on Friday nights. Or maybe it is cheaper to get several items at the "dollar menu". I wonder how many people eat fast food out of convenience, or necessity. As opposed to businesses that have been hurt by the economy, McDonald's actually posted a growth of 2.5%
What about personal responsibility? There's been horrible hate crimes against Latinos, and virulent attacks by the likes of Lou Dobbs on the media recently. Harsh comments on newsgroups dealing with this topic also abound: "Nobody is putting a gun to their heads (forcing them to make poor food choices)", "Mexicans are fat because they are lazy", "Mexican food is so bad for you...(because) the ingredients are greasy (cheap, or poor quality, etc)". I think we can we find balance between personal responsibility and economic disparity. One of the saddest parts of the movie "Food inc" showed an obese Latino family buying fresh groceries. A little girl asks for pears, yet her older sister declines because they are too expensive.

So, what are the answers? The education of the public is key, as well as creating awareness in regards to food justice. Favianna Rodriquez, an amazing socially aware artist is doing a wonderful job educating the community about the importance of rejecting GMOs and agribusiness. On her website she talks about larger issues dealing with the dangerous ripples sent out by US policies regarding industrialized agriculture, and how they affect local food growers and those beyond our borders. She recently donated a poster of the image above to a charity auction I recently organized. Un millon de gracias, Favianna!
Nutritional Wastelands
Mexican food doesn't have to be unhealthy, that is one of the reasons for this blog. As Latinos we still need to explore genetics, education, culture and economics, and how they play a big part on health and eating habits. So, what stops someone from getting locally grown veggies, organic tortillas and making fresh salsa? Some kids are growing up in nutritional wastelands. Super markets in poor neighborhoods carry less organic selections. Corner stores and liquor stores carry heavy processed food, often times folks have to do a lot of their shopping there, because those are the only stores available. There are fast food chains on each side of the main streets that delineate the neighborhood where I work. Like liquor stores, they are disproportionally located in neighborhoods where poor people live. And of course, fast food chains also have hordes of marketers that make humble veggie tacos seem unappealing.
So what can we do? We can support local organic farmers. As consumers, we can demand an end to GMO production. We can stop buying corn heavy foods that only feed corporations and conglomerates. Most of all, we can educate our communities. That is the cruelest of ironies for Latinos everywhere: What once was a sacred crop to our ancestors, could be killing us now.
Links:
- The illustration of the Mayans planting corn is by Alberto Beltran, for the book "Los Mayas" by Victor W. Von Hagen.
- You can help farmers in Mexico fight big agro businesses. Visit the environmental group Sierra de Guadalupe. They promote bio diversity, and educate farmers in central Mexico about the importance of planting local species organically. There is a donate button at the end of the page.
- The image God E (Yum Kaax, the Corn God - "Lord of The Harvest Fields") is from Copan. Photo by the American Museum of Natural History, in New York.
- You can go to the Organic Consumers Association and join the "Millions Against Monsanto" by signing their on-line petition
- Support the work of John Leanos and Favianna Rodriguez
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